The default of 32 is more than we need here, so use a value of 16 for both. The sphere is in the first image at the top left of the sequence in Sequence for creation of the eyes. Place it where Gus should have an eye. Select the crosshair pivot button in the header of the 3D window The crosshair pivot button. Then press M to mirror followed by X to mirror around the X axis.
Return the pivot button to its default setting Median Point. Add a new sphere and scale and move it exactly as before, but make it smaller and place it lower than and to the right of the cursor, centered on the SubSurfed mesh vertex Creating a mouth with Spinning tools.
Then, with all vertices still selected, press SpinDup. This will create three duplicates of the selected vertices on an arc of 90 degrees, centered around the cursor. The result should be Gus's mouth, like the last image of the sequence shown in Creating a mouth with Spinning tools.. Once you have made one button, you can simply exit Edit Mode, press Shift D to create a duplicate, and move the.
If we want to be able to grab Gus and move him around as a whole this goes beyond the animation in the second part of this tutorial , we now need to attach the small spheres representing eyes, mouth, and buttons to the body. Enter Object Mode. Press A until nothing is selected. Now right click one sphere if more than one is selected as a group, that's ok.
Deselect everything and repeat to attach each element. Give the mouth a white sugar like material, like the second one shown in Some other candy materials , and give the buttons a red, white, and green sugar like material. These are shown from top to bottom in Some other candy materials too. To give one object the same material as another object, select that material in the Material Menu list which appears when you press the Menu Button ButtonWindow Material Panel, see Material Menu.
Once you have finished assigning materials, make layer 10 visible again remember how? Hint, look at the 3D window header , so that lights and the camera also appear, and do a new rendering F Your First Animation in 30 plus 30 Minutes Part II If we were going for a still picture, our work up to this point would be enough, but we want Gus to move! The next step is to give him a skeleton, or Armature, which will move him.
This is called the fine art of rigging. Gus will have a very simple rigging: four limbs two arms and two legs and a few joints no elbows, only knees , but no feet or hands. A rhomboidal object will appear, which is a bone of the armature system. Enter Edit mode.
The end of the bone is selected yellow. We don't need any other bones right now. You should now have one bone running from the shoulder to the hand area.
As you move the end, you will notice that the whole bone gets bigger; you really are scaling up the bone. A new "chained" bone will appear automatically linked with the knee and ending at the foot, Adding the second and third bones, a leg bone chain. Another way of "chaining" the new bone would be to extrude using the E. This variation creates the new bone and places you in grab mode automatically. Use the LMB to then place the bone. The bones we are adding will deform Gus's body mesh.
To produce a neat result, try to place the bone joints as shown in the illustrations. We now have three bones that make up Gus's Armature.
You end up with The complete. R, Arm. L, UpLeg. R, LoLeg. R, UpLeg. L and LoLeg. L, see The Edit Buttons window for an armature. It is very important to name your bones with a trailing '.
L' or '. R' to distinguish between left and right ones, so that the Action editor will be able to automatically flip your poses. Skinning Now we must make it such that a deformation in the armature causes a matching deformation in the body.
We do this with Skinning, which assigns vertices to bones so that the former are subject to the latter's movements. The Parenting menu will appear. Select the Armature entry. Parenting menu. Create Vertex Group menu. The last option is considered automatic skinning. Go ahead and select Create From Closest Bones.
The vertex groups buttons in the Edit Buttons window The menu with the vertex groups automatically created in the skinning process. But a truly complex character, with hands and feet completely rigged, can have tens of them! See The menu with the vertex groups automatically created in the skinning process. The buttons Select and Deselect show you which vertices belong to which group.
Select the Right arm group Arm. You should see something like Gus in EditMode with all the vertices of group Arm. R selected. If you don't see the same thing then you probably placed the bones in just the right place such that the auto skinning process did a better job of matching vertices with bones. It is highly unlikely that the skinning process matched the vertices to the bones as exactly as you may expect. This requires that you begin to manually adjust the grouping as described in the following sections.
The vertices marked with yellow circles in Gus in EditMode with all the vertices of group Arm. R selected belong to the deformation group, however, they should not. The auto skinning process found that they were very close to the bone so it added them to the deformation group.
We don't want them in this group since some are in the head and some are in the chest, adding them to the deformation group would deform those body parts as well. To remove them from the group, deselect all the other vertices, those which should remain in the group using Box selection B , but use MMB , not LMB , to define the box, so that all vertices within the box become deselected.
Once the 'undesired' vertices are selected, press the Remove button The vertex groups buttons in the Edit Buttons window to eliminate them from group Arm.
Deselect all A then check another group. Check them all and be sure that they look like those in The six vertex groups. Be very careful when assigning or removing vertices from vertex groups. If later on you see unexpected deformations, you might have forgotten some vertices, or placed too many in the group. You can modify your vertex groups at any time. Our deformations will affect only Gus's body, not his eyes, mouth, or buttons, which are separate objects.
While this is not an issue to consider in this simple animation, it's one that must be taken into account for more complex projects, for example by parenting or otherwise joining the various parts to the body to make a single mesh. We'll describe all of these options in detail in later Chapters. Posing Once you have a rigged and skinned Gus you can start playing with him as if he were a doll, moving his bones and viewing the results.
This option only appears if an armature is selected. You are now in Pose Mode. If you now select a bone it will turn cyan, not pink, and if you move it G , or rotate it R , the body will deform! Blender remembers the original position of the bones. You can set your armature back by pressing Alt R to clear the rotation and Alt G to clear the location.
Alternatively, the Rest Position button may be used to temporarily show the original position. Inverse Kinematics IK is where you actually define the position of the last bone in the chain, often called an "End Effector". All the other bones assume a algorithmic position, automatically computed by the IK solver, to keep the chain without gaps i.
IK will mathematically solve the chain positions for us. This allows a much easier and precise positioning of hands and feet using IK. While handling bones in Pose Mode notice that they act as rigid, inextensible bodies with spherical joints at the end. You can grab only the first bone of a chain and all the others will follow it.
All subsequent bones in the chain cannot be grabbed and moved, you can only rotate them, so that the selected bone rotates with respect to the previous bone in the chain while all the subsequent bones of the chain follow its rotation. This procedure, called Forward Kinematics FK , is easy to follow but it makes precise location of the last bone in the chain difficult.
We'll make Gus walk, using FK, by defining four different poses relative to four different stages of a stride. Blender will do the work of creating a fluid animation. If it is not set to 1, set it to 1 now. L and bend LoLeg.
L backwards while raising Arm. R a little and lowering Arm. L a little, as shown in Our first pose.. With the mouse pointer on the 3D Window, press I. A menu pops up Storing the pose to the frame. Select LocRot from this menu. This will get the position and orientation of all bones and store them as a pose at frame 1. This pose represents Gus in the middle of his stride, while moving his left leg forward and above the ground.
Then move Gus to a different position, like Our second pose , with his left leg forward and right leg backward, both slightly bent. Gus is walking in place! This pose is the mirror of the one we defined at frame 1.
You have now copied the current pose to the buffer. This button will paste the cut pose, exchanging the positions of bones with suffix ". L" with those of bones with suffix ". R", effectively flipping it! Do so by copying it as usual, and by using the Paste Pose entry. End the sequence by storing the pose with I.
Gus walks! Because frame 41 is identical to frame 1, we only need to render frames from 1 to 40 to produce the full cycle. While this is generally not the best choice, mainly for file size issues as will be explained later on , it is fast and it will run on any machine, so it suits our needs. You can also select AVI Jpeg to produce a more compact file.
However, it uses lossy JPEG compression and will produce a movie that some external players might not be able to play. Remember that all the layers that you want to use in the animation must be shown! In our case, these are layers 1 and If you make a mistake, like forgetting to turn layer 10 on, you can stop the rendering process with the ESC key. Our scene is pretty simple, and Blender will probably render each of the 40 images in a few seconds.
Watch them as they appear. Of course you can always render each of your animation frames as a still by selecting the frame you wish to render and pressing the RENDER button. The animation will automatically cycle. To stop it press ESC. We have produced only a very basic walk cycle.
There is much more in Blender, as you'll soon discover! Description Blender uses the. Blender expects that you know what you are doing! When you load a file, you are not asked to save unsaved changes to the scene you were previously working on, completing the file load dialog is regarded as being enough confirmation that you didn't do this by accident.
Make sure that you save your files. Options To load a Blender file from disk, press F1. The bar on the left can be dragged with LMB for scrolling.
A file can also be loaded by using the MMB over the name of the file you want. It is then loaded up as if you had pressed enter. If you want to work on the blend file using your current defaults, start a fresh Blender, then open the file selector F1.
Turn off the "Load UI" button, and then open the file. The upper text box displays the current directory path, and the lower text box contains the selected filename. P moves you up to the parent directory. The button beneath, with the up and down arrow, maintains a list of recently used paths and on the windows platform a list of all drives C:, D:, etc.
The breadcrumb files. Open Recent Lists recently used files. Click on one to load it in. Recover Last Session. If autosave is turned on, this attempts to load the last hot backup for you. If the file cannot be found, you might need to manually go to your temp directory and find it.
Description Saving files is like loading files. Click the lower edit box to enter a filename. If it doesn't end with ". Then press Enter or click the Save File button to save the file. If a file with the same name already exists, you will have to confirm that you want to save the file at the overwrite prompt.
Depending on the number of save versions you have set, all existing files with the same name will be rotated to a. So, if you were working on MyWork. This way, you have hot backups of old saved versions that you can open if you need to massively undo changes. To simply save over the currently loaded file and skip the save dialog, press Ctrl W instead of F2 and just confirm at the prompt.
Screenshots In order to facilitate teamwork and rapid prototyping, you might want to quickly take a picture of your window or entire blender window setup. A window opens, allowing you to specify the location and name of the file. Description This section will give you only a quick overview of what you'll need in order to render your scene. You'll find a detailed description of all options in Rendering.
The Path Increment is either an absolute address or a relative address. If the construction of the path is illegal and rejected by the operating system, your file can end up in the Blender installation directory, root directory, or some other place. The Format Panel controls the format of the render. The full size number of pixels horizontally and vertically and file format of the image to be created are picked here. You can set the size using the SizeX and SizeY buttons. Clicking the selection box just below the size buttons opens a menu with all available output formats for images and animations, which is currently "Jpeg" in Rendering options in the RenderingButtons.
Depending on the complexity of the scene, this usually takes between a few seconds. If the scene contains an animation, only the current frame is rendered.
To render the whole animation, see Rendering Animations. If you don't see anything in the rendered view, make sure your scene is constructed properly. Does it have lighting? Is the camera positioned correctly, and does it point in the right direction? Are all the layers you want to render visible? A rendered image is not automatically saved to disk. If you are satisfied with the rendering, you may save it by pressing F3 and using the save dialog as described in Saving files.
The image is saved in the format you selected previously in the Format Panel. No problem. You can use any scene file as a default when Blender starts up. Make the scene you are currently working on the default by pressing Ctrl U. The scene will then be copied into a file called. But remember to save your changes to the previous scene first! Other File Menu Options Append or Link You don't have to load a complete file; you can load in only selected parts from another file if you wish.
Appending and Linking is discussed here. Import Blender can use information stored in a variety of other format files which are created by other graphics programs. It does this by running a script to import the file. Export Normally you save your work in a. To do so, you run an export script. Description Blender has a few options that are not saved with each file, but which apply to all of a user's files instead. These preferences primarily concern the user interface handling details, system properties like mouse, fonts, and languages.
As the user preferences are rarely needed, they are neatly hidden behind the main menu. To make them visible, pull down the window border of the menu usually the topmost border in the screen. The settings are grouped into seven categories which can be selected with the violet buttons shown in User preferences window. Instead, we will just give you an overview of the preference categories and some suggestions.
Pull down the User Preference Window to reveal many customization options. Each section of User Preferences Window displayed in default state. Settings concerning how the user interface should react to user input, such as which method of rotation should be used in 3D views. In particular, I just want to call out the Smooth View setting used in transitioning your 3D window from one view to another e.
Please help, this is pain Steam Only! Not out for IOS Yet! View all guides. View screenshots. Global mission. View artwork. Ika Musume. Blocksworld servers are down. Blub April 13, at pm. Dwi April 20, at am. Mi 6x same problem, did not solved use that method Reply. Lukman Widi May 26, at am. RuNe May 26, at pm. Thank you.. Lakshmanan June 28, at am. This did not fix the issue. Using MI 9 Pro. Please can you help me. Leave a Reply Cancel reply Your email address will not be published.
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Click here to cancel reply. But it got stuck at " Acquiring License" Because of this, I cannot update the pending apps. Is there a solution for this? Was this reply helpful? Yes No. Sorry this didn't help. Thanks for your feedback. Same problem here; checked 'troubleshooting' and found a windows update message saying 'resolve problems that prevent you updating windows'.
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